Some feedback from our most recent work

“We've had a superb experience working with Met Film Post from beginning to end. As feature film makers we see Met as a natural and excellent partner for post. We will certainly be working with them on future films" Rupert Jermyn & Richard Johns p. Truth or Dare (Full Service Post)

"Mat is one of the few colourists who has consistently exceeded my expectations, creatively and in his depth of knowledge of the DI process. I couldn't recommend him highly enough." Patrick Fischer, Creativity Media (Anuvahood and Sket – Picture Post)

"It has been a great experience grading several projects at Metfilm Post with their colourist Matthew Troughton. The grading suite is to the excellent technical standard. Matthew is a brillant colourist, he has a great eye, understands concepts and looks very quickly and comes up with exciting ideas. He has got incredibly in-depth technical knowledge of workflows and media formats (film & digital). He works very quickly and made sure that we achieved exactly the look we wanted within the amount of time we had." Felix Wiedemann, Director of Photography 

"We did our entire picture post at Met Film Post. Despite the fact that the film was made on a shoe-string, we received an amazing first-class care. I'd definitely work with these guys again, and hopefully next time I'll bring more money to the table!" Frances Lea (Stars of Tomorrow Award Screen Daily  Award) d. Strawberry Field (Picture Post)

"Caring, efficient, great technical know-how and advice, state of the art equipment, outstandingly good people, have all made Met Film Post a pleasure to work with." Jackie Vance, Post Production Supervisor Truth or Dare (Full Service Post)

"Working with Mat we got great control of the look of our movie LITTLE ASHES. It wasn’t just a question of correcting inconsistencies. We were able to add a whole new layer of subtlety into the look of the final film. The DOP and I sat in on pretty much the whole process. Mat was a pleasure to work with, with a good feel for our aesthetic, and always willing to go the extra mile to get the best out of our material. Working in conjunction with Molinaire on the FX and final lay-off onto film enabled us to get maximum production values and quality at our modest budget." Paul Morrison, d. Little Ashes (Picture Post)